![]() For this show, the artists present iconic images from their broader career from Berry’s work in South Africa in 1960 to Bruno Barbey’s images from his travels around the world like the above shot of 1968 Paris. Two Magnum Masters - Barbey, Berryĭown in the West Bund, the Shanghai Centre of Photography hosts this exhibition celebrating respected photographers Ian Berry and Bruno Barbey of the legendary Magnum collective. This latest series features 16 works inspired by the stories and myths of the Silk Road like Han Dynasty diplomat Zhang Qian’s journey to the West, Qin Shi Huangdi burning books and burying scholars alive and the travels of Tang Dynasty princess Wencheng to marry Tibetan patriarch SongtsenGampo. ![]() Known for his dramatic works that double as visual feasts. OFOTO hosts the latest works by Beijing based artist Chen Nong. Telling in Time (III): Chronology, Estrangement, and Stories of Literary History–Meir Sternberg,Tel Avivġ5.A recurring look at what's happening at Shanghai's art galleries : 1. Lyn Hejinian and Russian Estrangement–Jacob Edmond, Otagoġ4. My Leader, Myself ? Pictorial Estrangement and Aesopian Language in the Late Work of Kazimir Malevich–Anna Wexler Katsnelson, Harvardġ3. The Politics of Estrangement: Tracking Shklovsky’s Device through Literary and Policing Practices–Cristina Vatulescu, Harvardġ2. Distortion and Theatricality: Estrangement in Diderot and Shklovsky–Tatiana Smoliarova, Columbiaġ1. Dostoevsky’s Estrangement–Nancy Ruttenburg, NYUġ0. Why the First-Wave Russian Literary Diaspora Embraced Shklovskian Estrangement–Greta N. The Politics of Estrangement: The Case of the Early Shklovsky–Galin Tihanov, LancasterĦ. Shklovsky’s ostranenie, Bakhtin’s vnenakhodimost’ (How Distance Serves anĪesthetics of Arousal Differently from an Aesthetics Based on Pain)–Caryl Emerson, Princetonĥ. Minding the Gap: Toward a Historical Poetics of Estrangement–Michael Holquist and Ilya Kliger, YaleĤ. Poetics and Politics of Estrangement: Victor Shklovsky and Hannah Arendt–Svetlana Boym, Harvardģ. Svetlana Boym is Curt Hugo Reisinger Professor of Slavic Languages and Literatures, and Professor of Comparative Literature, at Harvard University.Ģ. Meir Sternberg is Professor of Poetics and Comparative Literature at Tel Aviv University. Slobin, Tatiana Smoliarova, Meir Sternberg, Galin Tihanov, Cristina Vatulescu Svetlana Boym, Marietta Chudakova, Jacob Edmond, Caryl Emerson, Michael Holquist, Anna Wexler Katsnelson, Ilya Kliger, Nancy Ruttenburg, Greta N. The special issues end with a previously unpublished interview with Shklovsky, who looks back on a long and troubled career, speaking his mind about literary issues, Communist oppression, and friends and enemies, including Stalin.Ĭontributors. A third contributor explores estrangement in the work of Dostoyevsky. Another discusses estrangement as seen in the visual artwork of the Russian painter and art theoretician Kazimir Malevich. ![]() One contributor considers Diderot's views on art alongside certain modern views on poetry. Other essays are historical surveys of estrangement theories and their diasporas during the last century. Two essays compare the ideas of Shklovsky with those of equally well-known thinkers-such as Hannah Arendt and Mikhail Bakhtin-regarding freedom and aesthetics. In essence, estrangement is a method of analyzing the artfulness, rather than the psychological meaning or logical message, of imaginative works of prose and poetry.Įach essay in these special issues proceeds from a different perspective. Also known as defamiliarization or disautomatization, estrangement originated as a form of literary and poetic theory within Russian formalism in 1917 and was elaborated largely through the work of Viktor Borisovich Shklovsky. Estrangement lies at the heart of human experience in art and life: how the familiar is made strange, perceptible, disturbing, as if never before encountered. These two special issues focus on estrangement, a concept that pervades twentieth-century literary study and related fields.
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